Alesha Dixon – Lipstick
Alesha Dixon was fired up to release her debut single in 2006, but would ‘Lipstick’ deliver on her obvious potential as a solo artist?
Alesha Dixon was fired up to release her debut single in 2006, but would ‘Lipstick’ deliver on her obvious potential as a solo artist?
S Club 7 had enjoyed consistent success since their debut, but ‘Never Had A Dream Come True’ is a pivotal moment that commenced the group’s imperial phase.
The lead single from Sophie Ellis-Bextor’s second album found her trying to make sense of an increasingly ‘Mixed Up World’.
Boyzone broke with their trademark boyband balladry to team up with Mr Bean(!) for the retro-inspired ‘Picture Of You’.
‘I’m Right Here’ proved to be an unexpectedly short-lived sentiment for Samantha Mumba when her big comeback faltered.
Initially mooted as the lead single for Girls Aloud’s second album, ‘Wake Me Up’ instead served as the fourth – and final – release.
S Club 7 put themselves in contention for the Christmas #1 with ‘Two In A Million’, which was accompanied – of course – by a TV special.
Sophie Ellis-Bextor was already proving herself to be a great pop singer, but ‘Murder On The Dancefloor’ is where she became a star.
Expectations were high for Girls Aloud’s first (proper) post-greatest hits single. But did ‘Sexy! No No No…’ deliver?
‘Long Hot Summer’ is generally regarded as being among Girls Aloud’s worst singles. But it’s not really that bad…is it?
In the face of underlying uncertainty over Girls Aloud’s long-term future, ‘The Show’ could’ve played things safe. Needless to say, it didn’t.
The hits just kept on coming for Sophie Ellis-Bextor as ‘Get Over You’ accompanied a reissue of her debut album.
Despite some fleeting doubts over the song, ‘No Good Advice’ cemented Girls Aloud and Xenomania’s status as a dream partnership.
‘I Won’t Change You’ is a routinely overlooked and disregarded single from Sophie Ellis-Bextor’s second album. But it’s not that bad…is it?
‘You’re My Number One’ is indelibly tied to S Club 7’s formative years in look and sound, but established a reliable formula for the group.
Rachel Stevens’ second single found her sampling David Bowie. But was this work of pop art just a bit too abstract for the mainstream?
‘Everybody’ marked the launch of Hear’Say’s second album. But coming just eight months after their first, was this too much, too soon?
‘Alive’ ended up serving as more of an epilogue to S Club’s career, but for a brief moment it heralded a new era for the group.
As cover versions go, ‘More, More, More’ is as harmlessly cheery as it is entirely unnecessary for Rachel Stevens.
If ‘Sundown’ couldn’t firmly restore S Club 8 back to (near) chart-topping glory, then what on earth could?!
Rachel Stevens went all out on ‘I Said Never Again (But Here We Are)’, but she was fighting a losing battle against an internet leak.