‘So Good’ was a modest description of Rachel Stevens’ latest single, which (briefly) threatened to put her firmly atop the charts.
Things were looking bleak for pop groups in the early ’00s, but D-Side arrived with ‘Speechless’ and attempted to kick-start a new wave of boybands.
‘Negotiate With Love’ found Rachel Stevens firmly pursuing electro-pop on the introductory single from her second album. What could possibly go wrong?
‘Real World’ was D-Side’s obligatory ballad for the festive season. But times were changing, and this was a distinctly un-Christmassy affair.
But few would have anticipated that Lolly’s festive single ‘Big Boys Don’t Cry’ would transpire to be one of the most chillingly haunting songs of the ‘90s.
With ‘New Direction’, the S Club Juniors steamed ahead of their seniors in spectacular fashion. But that wasn’t part of the plan…was it?
Adam Rickitt’s second single ‘Everything My Heart Desires’ marked a significant moment in the Special Relationship between the UK and USA.
For their second single, S Club 7 went on an all-out offensive to firmly establish their brand identity with the brilliant ‘S Club Party’.
For her debut solo single, Rachel Stevens came out swinging for Justin Timberlake with a song penned as a response to ‘Cry Me A River’
The most reliable tool in any budding pop star’s arsenal was a well-timed cover version – and for Lolly’s second single, it came in the shape of ‘Mickey’