As cover versions go, ‘More, More, More’ is as harmlessly cheery as it is entirely unnecessary for Rachel Stevens.
If ‘Sundown’ couldn’t firmly restore S Club 8 back to (near) chart-topping glory, then what on earth could?!
Rachel Stevens went all out on ‘I Said Never Again (But Here We Are)’, but she was fighting a losing battle against an internet leak.
‘Give Me A Reason’ was Triple Eight’s crowning glory, arriving at a time when – by rights – it probably shouldn’t have existed at all.
What happens when a singer in need of a hit meets a producer who won’t play by the rules? One of the best pop songs of the ’00s, of course.
Now the sole group under the S Club-brand, ‘Fool No More’ was surely the moment S Club 8 would ascend to the top of the charts…wasn’t it?
Although ‘Love Ain’t Gonna Wait For You’ was to be S Club’s final single, at least they were considerate enough to warn us beforehand.
Triple Eight sought to fill the boyband void with their debut single ‘Knockout’. But were they punching above their weight?
Ballads rarely – if ever – factor into a discussion of Girls Aloud’s best songs. But ‘Whole Lotta History’ is a notable exception to the rule.
‘Best Thing’ was Adam Rickitt’s last chance to prove his pop star credentials after the underwhelming performance of his debut album.
Despite now being the flagship representatives of the S Club-brand, ‘Don’t Tell Me You’re Sorry’ found S Club 8 in a make-or-break situation.
‘Dreaming’ was the product of another re-brand for S Club 8 as they added five new members and became I Dream.