Rachel Stevens’ second single found her sampling David Bowie. But was this work of pop art just a bit too abstract for the mainstream?
As cover versions go, ‘More, More, More’ is as harmlessly cheery as it is entirely unnecessary for Rachel Stevens.
Rachel Stevens went all out on ‘I Said Never Again (But Here We Are)’, but she was fighting a losing battle against an internet leak.
What happens when a singer in need of a hit meets a producer who won’t play by the rules? One of the best pop songs of the ’00s, of course.
‘So Good’ was a modest description of Rachel Stevens’ latest single, which (briefly) threatened to put her firmly atop the charts.
‘Negotiate With Love’ found Rachel Stevens firmly pursuing electro-pop on the introductory single from her second album. What could possibly go wrong?
For her debut solo single, Rachel Stevens came out swinging for Justin Timberlake with a song penned as a response to ‘Cry Me A River’