Rachel Stevens went all out on ‘I Said Never Again (But Here We Are)’, but she was fighting a losing battle against an internet leak.
What happens when a singer in need of a hit meets a producer who won’t play by the rules? One of the best pop songs of the ’00s, of course.
‘So Good’ was a modest description of Rachel Stevens’ latest single, which (briefly) threatened to put her firmly atop the charts.
‘Negotiate With Love’ found Rachel Stevens firmly pursuing electro-pop on the introductory single from her second album. What could possibly go wrong?